Glyphs | Create – Produce – Release | Font Editing for Everyone

Multi-layer editing and color preview with Sapperlot by Thomas Maier.

Devanagari interpolation and mark placement in Vesper by Robert Keller and Kimya Gandhi.

Cursive attachment in Zapfino Arabic by Nadine Chahine.

Try

Download the Glyphs Trial
Fully functional for 30 days

Buy

Buy a Glyphs license for EUR 249.90
macOS 10.9 or later required

Create Stunning Fonts on Your Mac

Make everything from dingbat webfonts to full-fledged text typefaces in the most Mac-like font editor

Sketch your font

Take a pencil and sketch a few letters. With a few tricks, you can easily digitize your sketches, and, step by step, create a full-fledged OpenType font.

The smart vector tools are optimised for the design of typefaces. Interpolated nudging, curvature control, dragging multiple handles at once, adding extrema and inflections, batch editing: all supported straight out of the box.

All languages covered

Human-readable glyph names, combined with smart component placement, automatic alignment of diacritics, mark positioning, and Unicode 7 support, make Glyphs the number one choice for multilingual font development.

Isolation no more

Watch your words take shape in high resolution: The edit view doubles as a text editor, allowing you to draw, edit, space and kern your glyphs in a word context rather than isolated in windows.

Colors everywhere

Why stay monochromatic? Add color to your typographical life with the built-in multi-layer preview and specialized editing tools. Glyphs can export layer fonts, Microsoft-style color webfonts or Apple-style emoji fonts.

Effortless OpenType

Enjoy automatic OpenType features: Glyphs analyzes your glyph names and shapes, and can auto-build feature code for ligatures, figure sets, positional forms, localizations, fractions, stylistic sets, small caps, and many more.

More on OpenType Features

The integrated work model of Glyphs makes a difference in the learning curve of new designers, and their rate of work.

Gerry Leonidas University of Reading

The interface is convenient and easy to use. And more than that, I find the support from the people behind Glyphs incredible: no question unanswered, no matter unattended.

Liron Lavi Turkenich type designer

Glyphs constantly introduces new useful features, accommodating designers’ needs. I am excited about new developments for non-Latin scripts.

Alessia Mazzarella type designer

Just generated 54 fonts with over 26,000 glyphs in less than a minute using Glyphs. That’s pretty epic.

Claus Eggers Sørensen type designer

Glyphs has loads of killer features that satisfy newcomers and veterans alike. I can’t work without it anymore.

Toshi Omagari Monotype

Working with monoline designs and masters in Glyphs is awesome. It’s all there, no need for add-ons or app switching.

Martina Flor letterer and designer

I notice that my students find Glyphs much easier to use. They pick up most of it immediately.

Ann Bessemans type designer, researcher and teacher

Glyphs has done for Arabic what no other font tool has achieved: make the design of complex typefaces easy and enjoyable. A true liberation!

Nadine Chahine Arabic type and legibility specialist at Monotype

Glyphs provides great Non-Latin support, which makes designing multi-script fonts really easy.

Andreu Balius Type Republic

Since I have started using Glyphs, font production is way more fun. It has never been so easy to get the last production steps right.

Ulrike Rausch LiebeFonts

Pro Tools in Your Hands

Saving you from the mindless side of font production

Interpolation unchained

Up to three axes, any number of font masters, independent layers, glyph-based alternate and intermediate masters: You can do it all in Glyphs. Easily switch between masters, control outline compatibility and style linking, and generate a whole family in one go.