Go from sketch to outline in no time. Quickly jot down your idea and easily turn it into pristine vectors, and do all the things Illustrator never let you do: nudge, edit multiple handles at the same time, lock angles, batch-control curvatures, harmonize curve segments. Take full control of your curves.

Draw and manage multiple master drawings, and then easily produce as many steps in between as you like.

Going from thin to heavy is not always linear: insert intermediate masters for that extra precision in interpolation. Or sometimes, shapes need to change as they become bolder. Switch between parallel interpolations with alternate masters.

Turn your multiple-master setup into a variable font with a single click. Control subsets and OT features with variable font export settings.

Reuse glyphs as components inside other glyphs: edit the original, and all hotlinked components follow foot immediately. Use this to make your a the same in äâãāăȧà, or to keep any number of shapes in sync across many glyphs.

Slap corner components onto corner nodes, a great way to control, fine-tune and sync corner roundings, spikes and serifs. Create transformable shapes with smart components: imagine a component that you need often but that needs to adapt a little in every other situation.

Expand vector segments to any shape with brush components: ideal for modular typefaces or graphic elements like arrows. Or reuse the same shape edges with segment components.

Apply colors, shadows, glows and gradients with the all-new color layers. Ideal for information graphics and color fonts. Or tap into the possibilities of color font formats: SVG, CPAL/COLR, sbix and classic layer fonts.

Add strokes to your paths and they non-destructively expand to filled outlines. Dynamically subtract paths from other shapes by turning them into masks. Create pixel-perfect contours by applying size-specific stroke widths: make that line two pixels wide, no matter for which scale you export that icon.